The show was thus abruptly cancelled, and Woody and the rest of his “Roundup gang” quickly fell out of fashion. Stoeltje aptly terms this twentieth century frontier myth the “Space Age Myth,” wherein covered wagons and pioneers/cowboys are supplanted rockets and astronauts as the push for Westward expansion is transfigured into the drive for expansion into outer space (1987, p. Once a popular program, with the advent of space exploration technologies, or so The Prospector claims, audiences quickly lost interest in the show’s Old West frontier narrative as a new frontier myth began taking shape in the American cultural imagination. Both dolls are merchandising spin offs from a fictional 1940-1950s television show in the film entitled “Woody’s Roundup”: a Western adventure series enacted with wooden marionettes and cut outs. The Prospector character, like Woody the cowboy (the protagonist of the Toy Story series) is a low-tech pull-string doll. The above quote neatly hypostatizes this sentiment: Pete the Prospector, a mint-in-the-box collectable toy, laments the effects of the space race and the development of rocket science, on the technologization of children’s toys, children’s play, and American culture more generally. ![]() “Two words: ‘Sput-nik.’ Once the astronauts went up,Ĭhildren only wanted to play with space toys.”Īlthough Pixar Animation’s corporate identity has long been tied to the studio’s advancement of digital animation technologies, many of Pixar’s films paradoxically seem to highlight, and even champion, disused, archaic and obsolete technologies over their digital successors.
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